Bin the prospectus: vice-provost streamlines Singapore university
NUS vice-provost on crusade聽against built-in obsolescence
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Winners,聽winners everywhere,聽or so it appears
An聽artificial winning mindset聽has permeated聽UK higher education, says Peter聽Larcombe聽
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THE podcast: Plan 鈥楽鈥 for squelch?
Is Science Europe鈥檚 Plan S the solution to open access research?
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Australian ministers claim public support for vetoing research
Storm of protest across academia against Simon Birmingham's scuttling of humanities grants worth聽A$4.2 million (拢2.3 million)聽
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Reshaped Supreme Court casts long shadow over Harvard trial
Win or lose, Harvard may need to ask whether pursuing its affirmative action case all the way to the Supreme Court is in the best overall interest of US higher education
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More Japanese universities face admissions discrimination claims
Tokyo Medical University not alone in rigging entrance exams to exclude women
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Universities鈥 Saudi ties under scrutiny after Khashoggi killing
Experts say Western institutions and academics have聽played a role in 鈥榮upporting and perpetuating the Saudi regime鈥
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UK universities and firms call for part-time study funding reform
UUK and CBI back transformation of apprenticeship levy into 鈥榮kills levy鈥
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Letters 鈥 25 October 2018
Just how will viva rule change help women? Your story 鈥淧hD viva rule is 鈥榰nfair on female academics鈥欌 (News, 18 October) reports that the University of Glasgow will insist that female PhD candidates...
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Fourth Degree by Laurie Taylor 鈥 25 October 2018
All campus life is here
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Universities can鈥檛 afford to lose goodwill
UK higher education invites trouble if it conveys an impression that students and staff matter only in transactional terms and that diversity is not valued
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Garage, by Olivia Erlanger and Luis Ortega Govela
Richard Williams rummages round a versatile site that housed cars, computers, start-ups and more
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The Coen Brothers: This Book Really Ties the Films Together, by Adam Nayman
A primer on the work of the 鈥榯wo-headed monster鈥 teases out the Talmudic and Kubrickian influences on their cinematic universe, says Nathan Abrams