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Giddy heights of research translate into fiction

Naomi Booth鈥檚 book The Lost Art of Sinking developed out of her study on literary swooning

Published on
June 4, 2015
Last updated
June 4, 2015
Rudolph Valentino and Agnes Ayres in The Sheik, 1921
Source: Alamy
Faint-hearted: 鈥榮wooning is coded as feminine performance鈥, says Naomi Booth

A lecturer has drawn on her academic interest in the history of swooning to produce a darkly comic novella about the seductive 鈥渉eadrush鈥 of passing out.

Naomi Booth鈥檚 The Lost Art of Sinking tells the story of Esther Freestone. Growing up in a lock-keeper鈥檚 cottage by a Yorkshire canal, she is mourning her beautiful ballerina mother and so seeking ways to cut out of consciousness and grief. It begins with 鈥渃ollective hyperventilation鈥 in school assembly and snorting Daz washing powder. Soon she has turned it into a dangerous ritual, trying to pass out during foreplay, 鈥渉ang[ing] off the edge of the bed, dangling my head upside down鈥 in a university squat and even answering an advertisement where an 鈥渁rtist seeks swooning beauty鈥.

Dr Booth, a lecturer in literature and creative writing at York St John University, said that what became her novella was developed as part of an Arts and Humanities Research Council-funded PhD research project on literary swooning.

A central theme of her study was why 鈥渟wooning is coded as a kind of feminine performance鈥. Given that both knights and ladies swoon in medieval literature, she wanted to discover when swooning largely began to be seen as 鈥減art of female habits and female manners鈥. This research has led to an as-yet unpublished monograph about the history of literary swooning, which (in contrast with fainting) Dr Booth sees as 鈥渁ssociated with strong feelings, weird, uncanny things like the sight of blood, remembrance of death, repressed things coming back鈥. The book will start with the swooning medieval Virgin Mary, take in Shakespeare, Gothic fiction and Dickens and finish with Carol Morley鈥檚 2014 film The Falling, about a fainting epidemic at a girls鈥 school.

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Dr Booth said that her historical research had helped to propel her fiction, but another important stimulus was her reaction to the Fifty Shades of Grey phenomenon.

She said that E.鈥塋. James鈥 heroine Anastasia Steele 鈥渒eeps literally passing out and needs to be caught by the physically strong male lead鈥sther is very different. There is no man to catch her鈥 wanted to write about coming-of-age eroticism that didn鈥檛 revolve around a clich茅d masculine hero and clich茅d romantic stereotypes about men and women鈥.

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matthew.reisz@tesglobal.com


Naomi Booth鈥檚 The Lost Art of聽Sinking was published by Penned in the Margins on 1聽June 2015.

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