In a seminar on Plautus, I assigned a project: translate 10 lines and make them funny in English in the same way they鈥檙e funny in Latin. Student X raised a smile; student Y got a laugh; then spoke the deadpan student Z. Within seconds, I was laughing so hard that I could barely see the distorted face of the student across the table, as tears streamed down. I laughed so hard that I didn鈥檛 see that another student had fallen off his chair, laughing. Afterwards people asked us about the ruckus. 鈥淗e used funny voices,鈥 we explained feebly. 鈥淚t was when he had one of the characters say, 鈥業n the words of Pablo Neruda鈥︹ 鈥
Our group hysteria evokes the compelling and unsolved riddle of what makes people laugh out loud. Darwin had some ideas; Freud gave it a good try; Mary Douglas asked if dogs laugh. In Laughter in Ancient Rome, Mary Beard takes a shot at it by asking what made the Romans laugh, and whether we can really get their jokes. This teasing book prefers questions to answers, bounding away after yet another Snark. Conversational, clear and (appropriately) amusing, Beard wears her erudition lightly, as readers of her blog, A Don鈥檚 Life, will know. The general reader will enjoy Roman zingers alongside Freud鈥檚 favourite joke and the backstory of Joe Miller鈥檚 Jests: or, the Wits Vade-Mecum (1739), while the endnotes lead a fascinating life of their own, with expert bibliography that spans Greek and Latin literary history. Beard dissects theories of humour from the old and familiar (Freud, Bergson, Bakhtin) to the old and surprising (Hobbes) to the cutting-edge (Simon Critchley, Salvatore Attardo and Victor Raskin), even debunking the Saturnalia (which wasn鈥檛 really a carnival).
The book begins with two striking examples of Roman laughter: the senator Dio Cassius sitting in the audience at the Colosseum, confronted, along with his fellow senators, by the mad emperor Commodus waving the head of a freshly decapitated ostrich at them, as they all struggle not to laugh; and a scene in a Roman comedy where the playwright Terence has helpfully given a character the line 鈥淗ahahae!鈥 These two explicit laughs launch Beard into a no-nonsense overview of ancient theories of humour, including an evaluation of the famously lost book of Aristotle鈥檚 Poetics on comedy (verdict: not that important) and a whole chapter on Cicero鈥檚 Orator. Cicero gets his due as the funniest Roman ever, which isn鈥檛 a part of his ancient reputation that shows up in the HBO television series Rome. The book is full of surprises, such as Pliny鈥檚 theory of tickling and Galen on why apes make people laugh, along with off-the-beaten-path texts such as the Historia Augusta (fantastical lives of the emperors, from the 4th century AD), or an 鈥渆pistolary novella鈥 on Democritus, the philosopher credited in antiquity as the leading theorist of laughter, or Philo鈥檚 account of the Jewish delegation to Caligula, or Prudentius on St Laurence, who was a comedian even on the gridiron.
The Romans were funny, they loved funny stories, and Beard knows a million of 鈥檈m: the tale of the pig imitator who cheated by hiding a real pig under his cloak; the origin of the whoopee cushion; the sad case of Seneca鈥檚 wife鈥檚 female clown; lots of bald-man jokes; stories of people who never laughed, straight out of Ripley鈥檚 Believe It Or Not. Beard is at her best in the triumphant final chapter on the ancient jokebook, Philogelos (鈥淎n egghead, a bald man and a barber were making a journey together鈥︹), drawing the reader into a world where the barbershop is the prime place to have a laugh 鈥 the world of the scurra, the standup comic who jokes for a living, and the parasitus of the comic stage, who talks about his jokebooks as part of his capital. Pondering the commodification of jokes in Roman culture, she concludes with the provocative argument that the Romans invented the jokebook. Maybe not, but Beard, who revolutionised the study of the ancient letter-book, gives Philogelos the serious attention it deserves. As for Beard鈥檚 parting question on the historical specificity of jokes 鈥 鈥淐ould we ever see the funny side of a casual joke about crucifixion?鈥 鈥 I can but reply: 鈥淎lways look on the bright side of life.鈥
Laughter in Ancient Rome: On Joking, Tickling, and Cracking Up
By Mary Beard
University of California Press, 336pp, 拢19.95
ISBN 97805207168 and 0958203
Published 24 June 2014
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