糖心Vlog

Any representation is too much for some Mary Beard critics

Vitriol directed at Cambridge professor of Classics on Twitter is part of wider battle to politicise diversity, says Conrad Brunstrom

Published on
August 8, 2017
Last updated
August 10, 2017

Mary Beard has been having a torrid time of it, as you may well know.

She has been Twitter-trolled for defending the well-supported proposition that Roman Britain鈥檚 population to some extent reflected the ethnic diversity of the vast Roman Empire as a whole, a legal and economic entity that stretched from Libya to Scotland 鈥 from the Lake District to the Middle East.

She was defending some illustrations in a new school text video that reflected some of this diverse imperial context.

糖心Vlog

ADVERTISEMENT

Now, there鈥檚 a legitimate argument about racial categories and genetic inheritances and the fact that to be 鈥淎frican鈥 did not necessarily mean to be 鈥渂lack鈥 as we would understand it nowadays with the dubious benefit of subsequent ethnic categories. The skin colour of various people from various parts of this vast domain continues to be contested and there ought to be an acceptable framework for such intellectual contestations. The Mary Beard Twitter storm is no such acceptable framework.

In the meantime, I don鈥檛 pretend to be a Roman historian 鈥 not even at very specialised parties. Mary Beard is someone who I enjoy as a writer and a historian, and what she says is supported by other sources that I鈥檝e read.

糖心Vlog

ADVERTISEMENT

Oddly enough, I鈥檝e been aware of cognate debates involving the far more recent past. Doctor Who, from the David Tennant era (The Shakespeare Code) to Peter Capaldi (Thin Ice), has started to depict 16th- to 19th-century England (especially London) as a rather ethnically diverse environment. And I鈥檝e encountered a degree of scepticism and unease online in certain quarters as a result.

Since this debate strays into territory that I鈥檓 supposed to know something about, then I feel I that can say something. Estimates of the number of dark-skinned people of African origin in London by 1800 are constantly being revised upward. Their numbers were definitely to be measured in the tens of thousands.

Yet some are still unhappy, claiming that it is a distortion of history to claim that a London crowd at the 1814 Frost Fair would have enjoyed the diversity that we see on screen.

Well, there are various ways of dealing with such comments calmly. One is to concede that although the ratio of darker faces does not offer a mathematical reflection of the ethnic proportions of London鈥檚 entire population at the time 鈥 no crowd did, or does. Crowds of people are not organised on a quota basis, and on any occasion particular communities are going to be over-represented in public gatherings.

You can also point out that if a particular historical reconstruction or dramatisation appears to 鈥渙verdo鈥 the diversity, then this is a very, very mild corrective measure considering the complete airbrushing of certain populations from film and television dramatisations over the past century.

If you鈥檙e feeling bold, you can also ask certain people if they鈥檝e commented with at least equal vehemence about this airbrushing effect. There were tens of thousands of black people in London at the time of the Frost Fair of 1814. Lots of them would have enjoyed it. What is so politically disturbing (or disturbingly 鈥減olitical鈥) about actually seeing them?

糖心Vlog

ADVERTISEMENT

Similarly, casting decisions regarding a black lesbian companion and a female Doctor are treated as 鈥減olitical鈥 in ways that the exclusive casting of heterosexual companions, or an endless sequence of white male Time Lords is not political. To be white and male is 鈥渘ormal鈥 and not political. To represent other ways of being human is a surrender to 鈥減olitical correctness鈥. Indeed, the horribly successful phrase 鈥減olitical correctness鈥, which exists only as a bogey term dangled by those who abhor it, demonstrates the political power of being able to assert what is and is not 鈥減olitical鈥. I am normal. You are 鈥減olitical鈥.

Mary Beard was, of course, assailed by the hedge-fund manager and eclectic polymath Nassim Nicholas Taleb, who tweeted that Beard鈥檚 claims proved that scholarship was dead in the UK and complained about 鈥渢he politically correct Gestapo鈥 being at work. 听

糖心Vlog

ADVERTISEMENT

Those who are terrified of the thing they call 鈥減olitical correctness鈥 are never shy about dragging in the Nazis.

Those who trailed and trolled in the wake of Taleb were driven not by scholarship but by emotion. Why do people want to affirm an all-white Roman, Renaissance, and Georgian England? What is it that people fear and what is it that they think they are defending? Why...are they 鈥渂ovvered鈥?

Of course, for many such people, any representation would have been over-representation.听

I think that what many of those directing tweets at Professor Beard want to feel is that whiteness is a secure point of origin. It鈥檚 important for some people to feel that even London was once ethnically 鈥渟ecure鈥 and homogeneous. 听

The idea that there were people from North Africa living in England at a time when there were hardly any Saxons there is one that is not only to be challenged empirically, but stamped on vehemently. It cannot be entertained. It cannot germinate. Mary Beard must not only be refuted but crushed.

糖心Vlog

ADVERTISEMENT

Conrad Brunstrom is a senior lecturer in English at Maynooth听University. This is an edited version of an article that first appeared on his personal blog,听.

Register to continue

Why register?

  • Registration is free and only takes a moment
  • Once registered, you can read 3 articles a month
  • Sign up for our newsletter
Please
or
to read this article.

Sponsored

Featured jobs

See all jobs